Sound Quality
I really like this compact integrated amp. It does
everything one has the right to expect, and rather
more too, and doesn’t seem to suffer from any
significant weaknesses either. Sure, it’s not going to
deliver quite the toe-curling dynamic grip and poise
of the much larger and more costly Naim combo
that I normally use, but it doesn’t give a great deal
away either.
In fact this is quite a difficult amplifier to criticise,
as it seems to ooze competence on virtually every
identifiable parameter, and its minor limitations
are all well balanced and cunningly disguised. Most
importantly for this listener at least, the timing is
very good, so it always drives the music along with
fine momentum and purpose. Paul Simon’s South
American exploration Rhythm of the Saints (the
follow up to Graceland) is crammed with complex
polyrhythmic percussion, yet the Caspian M2 held
everything together with considerable dexterity and
aplomb.
One might perhaps wish for sharper stereo image
focus, and a firmer, deeper and more even bass,
and a wider dynamic range, but those observations
all involve some splitting of hairs, as the M2 is far
from weak in these areas – it just falls a little short
of what’s possible, so the result falls more into the
category of reproduction rather than reality.
The low bass might lack a little weight, scale and
dexterity, but it’s the midrange that’s the real star
of the show here, combining vigour and delicacy
to ensure fine vocal expression, whether sung or
spoken. Strings have real texture and the stereo image
shows good ‘hear through’ transparency with a fine
dynamic range right across this midband region.
Every amplifier has a touch of individual
character, and the Caspian M2 is no exception. Its
sound is not particularly sweet, but it is essentially
neutral and doesn’t add much of its own signature.
If anything there does seem to be a slight midband
emphasis here, but it’s not particularly excessive and
merely serves to emphasise the voice band a little.Conclusions
This is a fine amplifier in every respect. It’s compact,
handsomely finished and has interesting if slightly
quirky ergonomics. It’s also powerful and essentially
neutral sonically, with a particularly fine midband,
and an overall capability that’s good enough to make
one question whether a separate pre/power combo is
really worth considering.
HIFICRITIC JUL | AUG | SEPT 2013